Maybe you like yourself.
Maybe you don't.
Maybe you're asking yourself that very question right now as my words jar your curiosity.
But don't answer. Not now. Wait.
So opens David LaBounty's dark novel, Affluenza, and right away you get a sense of what you're in for. The person speaking to you is Charles Dash and, while he may be a certifiable sociopath, he is also frighteningly reminiscent of the average consumer zombie. He buys, buy, buys, everything he wants, maxing out all his high-limit credit cards and using the equity in his supersized house as an ATM. He can't drive a car that's more than three years old. He has to outdo the neighbors. His kids stare blankly at an endlessly blaring TV as he finds prostitutes to stand in for his indifferent wife. She shops too, and he pays for it.
At some point, the inevitable happens and the credit runs out. The ARM mortgage adjusts. The minimum payments on the credit cards increase. Charles Dash can no longer manage to hold together the illusion of a prosperous life. And that's when the violence begins.
I didn't relate to much in this book on a personal level because I abandoned the "Affluenza" type of lifestyle a long time ago. What makes this book worth reading is the story – it's well done and compelling and draws you along from page to page. Charles Dash is a fully realized character and even pitiable at times. You can't help wanting to know what will happen to him. What makes the book valuable is the way it documents this era of disconnected spending, in a memorable way. If we manage to survive global climate change, as a species and as a culture, this is a book that I think (hope!) would be enlightening to future generations. It would tell them a lot about people of the 80s, 90s, and 00s. Yes, Charles Dash engages in acts of extreme violence and, for that reason, is not completely typical of the average American. But his violence is the violence of our day.
Thanks for reading and sharing. I really do appreciate it.
ReplyDeletedon't know about the rest of the book, but i love the opening.
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